Tattoorism: Sean Returns, Part 1

Back in 2009, one of our loyal readers, Sean, submitted a whole slew of his work for our viewing pleasure. You can read the original posts, here and here.

Why do I bring this up now? Last summer, Sean sent us more of his tat-alog of work and I had been saving it for a rainy day. Since it's a rainy, sleety, snowy day, I thought I should share more of what Sean sent along. And since he sent a lot, I'm splitting it into two posts. What follows is the first installment. Italics represent direct quotes from Sean.

I got the ditch of my elbow done probably about a year or so ago.  It is a flower of sorts, of my own design, made up of various geometrical shapes.  The tattoo represents two parts of our world, nature (the floral shape itself, petals, leaves, etc.) and science (the geometric shapes making up the flower).  I believe that one should not base their ideals solely on nature or science/technology, but on a mixture of the two.  It represents my appreciation for both nature and science.  Basically, I am fascinated by technology and the sciences that are its basis, but at the same time do not feel that science should trump nature all together but rather, have the two working together in harmony.  It was done by Robert “Binky” Ryan at Electric Tattoo in Bradley Beach, NJ.

The sparrows circling my outer elbow were my next pieces done.  I had attended a Marine museum in Philadelphia which had a great exhibit on the tattoo culture surrounding the Navy and sailors in general throughout history.  According to the exhibit, sailors would earn the right to a single sparrow tattoo after traveling 5,000 miles at sea and a second sparrow after 10,000 miles.  I am not much for sailing, but the idea of the sparrow representing travel and all the hardships, journeys, and successes that surround that travel appealed to me.  Further, I have a general appreciation for American Traditional tattoos and their overall aesthetics.  These were done by Rich Heller at Electric Tattoo in Bradley Beach, NJ. 

Don’t quite remember when I got my feet finished up, but it was sometime within the last year and a half or so.  My feet are tattooed with a sun and moon, which I drew myself about 6 years ago.  The duality of the sun and moon, and various meanings that these two symbols hold are why I had them tattooed.  The idea that each represents night and day, or two opposites that work together to make up a whole, are what drew me to having the designs placed on my feet.  Further, it represents the two sides that I have to myself, a lighter, happy, and caring side and a darker, selfish side.  I feel a person cannot fully understand themselves without acknowledging and accepting all parts of their personalities.  I also gave the sun and moon, a dark, kind of macabre, look as I am a huge horror fan and have always been attracted to the darker side of things.  Originally, I had them inked by Robert “Binky” Ryan (then at Body Art World in Pt. Pleasant, NJ but now Electric Tattoo in Bradley Beach, NJ) in 2004.  They were done in grey wash and I was happy with them for about 5 years, in which point I decided to have them colored in, and had some background added.  The color and background were added by Brody Longo at Slingin’ Ink in Pt. Pleasant Beach, NJ.

The next piece I got was an anchor on my inner forearm.  The anchor represents all the things that drag me down in life.  Across the anchor is a banner that reads “P.M.A.” the abbreviation for positive mental attitude.  I feel the first step in pushing through any kind of hardship in life is to have a positive attitude, and the rest will follow.  I want to say the original use of PMA was in a Bad Brains song, but I pulled it from its use in the Glassjaw song “Piano.”  This tattoo is also a throwback to the band Glassjaw, as they have been my favorite band for I would have to say at least 10 years now and I have experienced just about every emotion possible while listening to their albums.  So as an added bonus, the tattoo brings me back to all those memories.  The tattoo was done by Rich Heller at Electric Tattoo in Bradley Beach, NJ.


Thanks to Sean for sharing all of this with us here on Tattoosday, and for patiently waiting for me to post it!

Stay tuned for part 2.....

Tattoosday's Trip to Hand of Glory

As alluded to in the previous days' posts, I got a little carried away with a Friday the 13th tattoo experiment and opened up the idea to readers who contributed the funds for a tattoo ($13 special plus lucky $7 tip).

I had seven people send me money (thank you Ginger, Jen, Sean, John, Jenise, Janet and Nicole!) and then vote on the design out of five sheets of flash (seen here).

the flaw in my plan was not collecting the money, but dealing with the votes. I asked everyone to vote for three choices, and assigned 5 points to 1st choice, 3 for 2nd and 1 for 3rd. Fifteen different designs were selected, and only four were selected twice.

The winner was this classic, simple design by Derik Snell:

I was early and first in line, so I got the first tattoo of the day at Hand of Glory's sister shop, down the block, called The End is Near.

Brian Faulk was the assigned tattooer and he made quick work of the design:

Photo by Zoe

The end is result is a little messy, but it should heal nicely:

Thanks to all the kind people at Hand of Glory/The End is Near for their help this morning. I am planning on returning later with Melanie for her addition. We'll see how it goes....

Lizz's Tattoo Anchors Her to Her Brother

One of the things that I love most about writing Tattoosday is the way New York City plays a significant role in the narrative. It may not be a blog about New York, but it would be a much different one without this city I call my home.

This is one of those posts that is tied to the fabric of New York.

This evening, I was taking advantage of a free ticket to see a revival of Guys and Dolls at the Nederlander Theater, which is still in preview and opens March 1st.

I was standing in line outside, about twenty minutes before curtains. The theater, on the south side of West 41st Street, faces the back of the New Amsterdam Theater to the north.

There were assorted people milling about across the street, folks I assumed were crew from Mary Poppins, outside having their last cigarettes before their show started.

I spotted a woman who had exited the theater and saw, from across the street, that she had a tattoo on her right forearm. I was doing nothing but standing in line anyway, so I crossed over 41st Street to say hello.

Lizz, who works as a dresser, was more than happy to share her tattoo:


What's remarkable about this traditional-style anchor tattoo is that she had it done at the same time, on the same spot, and with the same design as her younger brother.

For Lizz, this was her most recent, her nineteenth tattoo. For her brother, five years her junior, it was his first.

The piece is based on the state flag of Rhode Island, where Lizz grew up:


Tattoos in general have significant meaning for their bearers. When the same design in shared, and the act of being tattooed is similarly experienced, the emotional charge instilled in the work is compounded.

Another example of siblings sharing a tattoo can be seen here.

Lizz told me that she doesn't rely on one artist, but that her ink has come from different shops all over the country.

This tattoo was created at Cherry Bomb Tattoo (now known as East River Tattoo)in Brooklyn by the artist Duke Riley. Work from Cherry Bomb has appeared here previously.

Thanks so much to Lizz for sharing her ink with us here on Tattoosday!